A hypnotic straight 8th jazz waltz in the style of guitarist Pat Metheny that adds additional colors with soprano sax and flugelhorns. Counterpoint, part independence, and dynamic contrast create an evolving texture that constantly captures the ear. Trumpet, guitar, and drums are the featured soloists. Trumpet range is to Written high C. Trombone range is to G.

A hypnotic straight 8th jazz waltz in the style of guitarist Pat Metheny that adds additional colors with soprano sax and flugelhorns. Counterpoint, part independence, and dynamic contrast create an...

As the title suggests, this chart features the trombone section on the melody as well as a soli section. Slide Show is based on the chord changes of Sonny Rollins' classic jazz standard "Doxy". Written solos are provided for alto sax or trumpet as well as tenor sax or piano or guitar. Bass and piano parts are written out. The shout section provides saxophone section soli space before the trombones get the final say. Trumpet range is to written G. Trombone range is to F.

As the title suggests, this chart features the trombone section on the melody as well as a soli section. Slide Show is based on the chord changes of Sonny Rollins' classic jazz standard "Doxy"....

A smooth contemporary latin feature for alto sax with a sultry melody and lush accompaniment. A written solo is provided, but the chord changes for the solo fit into the concert Bb scale so improvisation is encouraged. This is just a really fun chart for the soloist, ensemble, and audience alike.

A smooth contemporary latin feature for alto sax with a sultry melody and lush accompaniment. A written solo is provided, but the chord changes for the solo fit into the concert Bb scale so...

Same as the alto sax feature, but reorchestrated to feature the tenor sax instead.

Same as the alto sax feature, but reorchestrated to feature the tenor sax instead.

Same as the alto sax feature, but reorchestrated to feature the trumpet instead.

Same as the alto sax feature, but reorchestrated to feature the trumpet instead.

This chart was commissioned by the Normal West High School Jazz Band in Normal, Illinois. A funky laid-back acoustic bass line sets the tone for this chart that recalls the quirky and sardonic style of the Brecker Brothers. The horns are divided into several cross-sectional sections to provide melody and background support. Solo space for trombone, soprano sax, drums, and guitar. Soprano sax required for alto sax 1. Trumpet range is to written high C. Trombone range is to Ab.

This chart was commissioned by the Normal West High School Jazz Band in Normal, Illinois. A funky laid-back acoustic bass line sets the tone for this chart that recalls the quirky and sardonic style...

This funky horn-driven chart weaves in and out of the boundaries with winding chromatic lines and high energy accompaniment. Solo space for tenor sax, trombone, and guitar, and the drums get several smaller opportunities, too. Trumpet range is to written high C. Trombone range is to G.

This funky horn-driven chart weaves in and out of the boundaries with winding chromatic lines and high energy accompaniment. Solo space for tenor sax, trombone, and guitar, and the drums get several...

A true shuffle by Rick Lawn adds depth to the swing tradition with a more harmonically advanced and interesting take on a stretched out blues, but this isn't just your typical 18 bar blues. Interludes move into a 12/8 feel in the rhythm section, showcasing variety and sophistication. Solos for tenor sax and piano. Trumpet to written high D. Trombone to G.

A true shuffle by Rick Lawn adds depth to the swing tradition with a more harmonically advanced and interesting take on a stretched out blues, but this isn't just your typical 18 bar blues....

This postmodern minor blues is a little "out there". The melody uses an inside/outside harmonic language, and the a capella “space cadet” section endeavors to go where no man has gone before...... Each section in the band is challenged. Solos for tenor sax, trumpet, and drums. Trumpet range is to written high D with optional E and F (both are notated on the part and score).

This postmodern minor blues is a little "out there". The melody uses an inside/outside harmonic language, and the a capella “space cadet” section endeavors to go where no man has gone...

Another funky New Orleans 2nd Line chart from the pen of Robert “Beto” Skiles. The rhythm section sets the funky groove followed by the trombone section. Saxes jump in on the melody with the brass section responding to their calls. A fun contrapuntal section follows where lines are passed from section to section. This leads to an extended alto sax solo followed by a trumpet solo (plunger optional). Next, the band gets to “trade fours” with the drummer before returning to the melody and an “in your face” ending. Trumpet range is to written high C.

Another funky New Orleans 2nd Line chart from the pen of Robert “Beto” Skiles. The rhythm section sets the funky groove followed by the trombone section. Saxes jump in on the melody with the...