An elegant swinging tribute to the longtime Basie lead alto player Marshall Royal, “The Royal Treatment” provides ample opportunities to showcase the saxophone section. Written solos are provided for trumpet, alto sax, trombone, and tenor sax. Trumpet range is to written G on top of the staff.

An elegant swinging tribute to the longtime Basie lead alto player Marshall Royal, “The Royal Treatment” provides ample opportunities to showcase the saxophone section. Written solos are provided...

Commissioned by Bloomington High School North, in Bloomington, Indiana, this swinging chart is a true shuffle in the tradition of Jerome Richardson's "The Groove Merchant" as performed by the Thad Jones/Mel Lewis Big Band. With a 130bpm tempo, this chart is very accessible and is a great chart for teaching style and Swinging with a Capital S. Trumpet and Tenor Sax solos are separated by a clever interlude before moving on to a shout section that will really show off the band's dynamic contrast as the energy moves between the brass and saxes. A quick D.S. to the bridge and Coda jump lead to a big finish. Trumpet range is to written High C. Trombone range is to Gb.

Commissioned by Bloomington High School North, in Bloomington, Indiana, this swinging chart is a true shuffle in the tradition of Jerome Richardson's "The Groove Merchant" as performed by the Thad...

This is a great contest/festival chart! A high energy shuffle swing tune that shows off every section of the ensemble, this programmatic tour de force depicts scenes from an imaginary trip to Las Vegas, from the bright lights of the Strip and brassy casino showrooms to the wiseguy on the street and other temptations. Solos for trombone and muted trumpet are featured along with a bluesy sax soli and some drum business along the way. Trumpet range is to written high D, trombone to Ab.

This is a great contest/festival chart! A high energy shuffle swing tune that shows off every section of the ensemble, this programmatic tour de force depicts scenes from an imaginary trip to Las...

In the trademark style of iconic jazz composer Thad Jones, The Woozy Dude Blues is a hard swinging 12 bar blues in Bb which makes extensive use of his advanced harmonies. Keeping with that tradition, there’s also an acapella stop-time section to lead off the sax soli and solo space that can be opened up for as many soloists as desired. Also evident is Thad’s legacy of programmatic writing. Listen carefully and you’ll hear our Woozy Dude twisting and turning and even running into a few things in the process! Trumpet range is to written high D.

In the trademark style of iconic jazz composer Thad Jones, The Woozy Dude Blues is a hard swinging 12 bar blues in Bb which makes extensive use of his advanced harmonies. Keeping with that tradition,...

Based on the chord progression of the standard tune All The Things You Are, this chart turns it upside down with a challenging salsa treatment. Notable in the chart is the trumpet soli – yes, you read that correctly. Make the folks on the back row work for a change, along with alto and piano solos. Trumpet range is to written high C.

Based on the chord progression of the standard tune All The Things You Are, this chart turns it upside down with a challenging salsa treatment. Notable in the chart is the trumpet soli – yes, you...

This is a seriously funky chart – a party on staff paper. A funky Prince-like guitar riff sets the groove and the brass section ushers in the melody. There is a lot of back and forth interplay in the ensemble and some fun bari sax/bass trombone licks as well. Lots of solo splace for tenor sax and trumpet with simple chords to work out on. A drum solo follows the horn (or rhythm) soloists and that leads to a layered horn section that builds to an ensemble shout chorus. Tension is released by a return to the opening guitar riff, melody recap, and tag ending. Trumpet rage is to written High C.

This is a seriously funky chart – a party on staff paper. A funky Prince-like guitar riff sets the groove and the brass section ushers in the melody. There is a lot of back and forth interplay in...

Reminiscent of the Bill Holman tune “Told You So”, this medium swing tune features some fun interplay between the brass and saxes as well as the occasional stop-time figure. Plenty of attitude going on here. Solo for tenor sax and a shout section for the ensemble. Trumpet range is to written F (optional G on last note).

Reminiscent of the Bill Holman tune “Told You So”, this medium swing tune features some fun interplay between the brass and saxes as well as the occasional stop-time figure. Plenty of attitude...

Commissioned by the band director son of a Top Gun Flight School Instructor in memory of his father, this high powered swing chart starts with a vertical take-off and settles into a hard swinging tune. The saxes play the tune while the brass answer and support. The trombone section takes the spotlight on the bridge with a challenging soli passage. Tenor and alto saxes each have solo space and then stage a musical dogfight . An 8 bar drum solo sets up the Gene Krupa style “Sing Sing Sing” section. A brief sax soli follows before the full ensemble shouts its way to the finish. A brief quote from Kenny Loggins’ “Danger Zone” (Top Gun Theme) is heard just before the final chord. Trumpet range is to written High D. Trombone range is to High Bb.

Commissioned by the band director son of a Top Gun Flight School Instructor in memory of his father, this high powered swing chart starts with a vertical take-off and settles into a hard swinging...

A little bit more. That's what this chart offers and delivers. Opening with a definitive brass statement, Un Poco Mas settles into a smooth latin groove before switching things up with a half-time feel on the bridge. Returning to the latin groove, the form finishes and launches into the solo sections. Both solos can be successfully navigated using only the Concert F harmonic minor or F Blues scales. Written solos are provided for Trumpet and Tenor Sax. Following the last solo is an opportunity for the drummer a/o percussionist(s) to showcase their talents before returning tot he half-time feel for the Ensemble Section. Finally, we return to the original latin groove and roar to the rhythmic finish line. Trumpet range is to written G on top of the staff. Trombone range is to F above the bass clef.

A little bit more. That's what this chart offers and delivers. Opening with a definitive brass statement, Un Poco Mas settles into a smooth latin groove before switching things up with a half-time...

Johnny Carson looks into the camera and says, "Well Be Right Back." and the band launches into a hard swinging chart with a big brass punches answered by a hard charging sax section. The bridge is dominated by a bebop trumpet section soli before handing back off to the saxes to finish the chorus. Solo opportunities are provided for Alto Sax and Tumpet, or piano or guitar may be added or substituted. The solo changes are "Rhythm Changes" except they're in concert Eb this time. Trumpets get to have some fun with plungers on the bakcground figures. The Shout Section ensues featuring a trombone section soli on the bridge. A brief coda leads to the signature ending. Trumpet range is to written High C. Trombone range is to G.

Johnny Carson looks into the camera and says, "Well Be Right Back." and the band launches into a hard swinging chart with a big brass punches answered by a hard charging sax section. The bridge is...