Too much fun to pass up, featuring the funky 1970’s grooves of Quincy Jones and Tower of Power, including optional wah-wah guitar! Each horn section gets a workout while the rhythm section percolates underneath. Solo opportunities for alto sax, tenor sax, trumpet, trombone, and drums. Trumpet range is to written Bb. Trombone range is G.
Too much fun to pass up, featuring the funky 1970’s grooves of Quincy Jones and Tower of Power, including optional wah-wah guitar! Each horn section gets a workout while the rhythm section...
Torosian/Arr. Baker | Grade 3 | Straight Ahead | Rock
The combo chart …..stands for Rhyhym Changes Tune and features a unison line for the first A sections, followed by a harmonized bridge and block voicing final 8. After the solos, the head is played again and the chart closes with a signature Count Basie piano ending.
The combo chart …..stands for Rhyhym Changes Tune and features a unison line for the first A sections, followed by a harmonized bridge and block voicing final 8. After the solos, the head is played...
A lush full ensemble introduction leads into a beautiful alto sax feature ballad. The sax section takes over for the bridge before returning to the full ensemble for the last A section. A brief transition moves the tempo up to a medium swing for the alto sax’s improvised solo (easy accessible changes) before returning to the original ballad tempo to restate the final A section of the melody. Two brief cadenzas lead to an ensemble coda that supports the soloist to the end of the chart. Ensemble trumpet range to a brief written high C.
A lush full ensemble introduction leads into a beautiful alto sax feature ballad. The sax section takes over for the bridge before returning to the full ensemble for the last A section. A brief...
A lush full ensemble introduction leads into a beautiful tenor sax feature ballad. The sax section takes over for the bridge before returning to the full ensemble for the last A section. A brief transition moves the tempo up to a medium swing for the tenor’s improvised solo (easy accessible changes) before returning to the original ballad tempo to restate the final A section of the melody. Two brief cadenzas lead to an ensemble coda that supports the soloist to the end of the chart. Ensemble trumpet range to a brief written high C.
A lush full ensemble introduction leads into a beautiful tenor sax feature ballad. The sax section takes over for the bridge before returning to the full ensemble for the last A section. A brief...
A lush full ensemble introduction leads into a beautiful trumpet (or flugelhorn) feature ballad. The sax section takes over for the bridge before returning to the full ensemble for the last A section. A brief transition moves the tempo up to a medium swing for the trumpet’s improvised solo (easy accessible changes) before returning to the original ballad tempo to restate the final A section of the melody. Two brief cadenzas lead to an ensemble coda that supports the soloist to the end of the chart. Ensemble trumpet range to a brief written high C.
A lush full ensemble introduction leads into a beautiful trumpet (or flugelhorn) feature ballad. The sax section takes over for the bridge before returning to the full ensemble for the last A...
This chart is a fun tribute to Regents Professor Emeritus Jim Riggs of the University of North Texas. This chart in the Nestico style captures his personality and sense of humor while providing a focus on the saxophone section. The chart begins in the key of F and modulates to Bb. Written solos are provided for alto sax and trumpet or piano. A swinging shout chorus drives to a restatement of the melody before bringing everything to a close with the ensemble. A great sounding chart for a great saxophonist, teacher, and friend. Trumpet range is to written G on top of the staff.
This chart is a fun tribute to Regents Professor Emeritus Jim Riggs of the University of North Texas. This chart in the Nestico style captures his personality and sense of humor while providing a...
Based on the chord changes for Cantaloupe Island, this high energy rock chart shines the spotlight on each section of the band, and features a sax soli as well. Written solos are provided for alto sax and trumpet, and there is a four bar drum solo as well. Trumpet range is to written high G. Trombone range is to F.
Based on the chord changes for Cantaloupe Island, this high energy rock chart shines the spotlight on each section of the band, and features a sax soli as well. Written solos are provided for alto...
Solidly in the Basie/Nestico tradition, this swing chart exemplifies the title’s instructions – stay positive and Roll with the Punches. Written solos are provided for trombone (opt. trpt) and alto sax. Every section gets a chance to shine in the full shout section which leads to the final ending “punch”. Trumpet range is to written G. Trombone range is to written F.
Solidly in the Basie/Nestico tradition, this swing chart exemplifies the title’s instructions – stay positive and Roll with the Punches. Written solos are provided for trombone (opt. trpt) and...
A straight ahead swinger in the style and vocabulary of the late, great Sammy Nestico, this chart features numerous opportunities to feature soloists (written solos provided for alto sax, trpt, trombone and piano) as well as each section of the band. A 16 bar unison sax soli leads into a driving shout section dominated by the brass section. Trumpet range to written G, trombone to F.
A straight ahead swinger in the style and vocabulary of the late, great Sammy Nestico, this chart features numerous opportunities to feature soloists (written solos provided for alto sax, trpt,...
Paul Baker | Grade 2 | First Chorus | Swing | 2023
Translated “Blue Samba”, this chart is a take-off on the traditional 12 bar blues changes with a distinctly smooth South American flavor. Solos for alto sax and trumpet.
Translated “Blue Samba”, this chart is a take-off on the traditional 12 bar blues changes with a distinctly smooth South American flavor. Solos for alto sax and trumpet.
