An colorful and easy paced straight 8th tone-poem-like chart based on the chord changes of the standard There Will Never Be Another You. A beautiful alto sax melody sets the tone early amidst lush backgrounds and harmonies. The melody then moves to the trombones and brass section to build the melodic and dynamic energy. A brief sax soli acts as an interlude into the trumpet (or flugel) solo. The piano (or guitar) takes the second solo which leads into a rich, almost symphonic, development section. Emerging from the fray, a majestic lead trumpet soars above the ensemble before rejoining the ensemble for the final push to the finish. This chart will require a stout brass section. Trumpet range to writen high C. Trombone to Ab.
An colorful and easy paced straight 8th tone-poem-like chart based on the chord changes of the standard There Will Never Be Another You. A beautiful alto sax melody sets the tone early amidst lush...
A dramatic and modern Thad Jones style take on an extended blues form makes for a challenging chart for everyone. Beginning with the opening glissando and punch, this chart announces itself in style. Muted trumpets take the melody and then hand it off to the saxes. A harmon mute trumpet solo leads to a trombone section soli (including the bass player). An interlude sets up the piano solo which is followed by a tenor sax solo. A recap of the bridge and melody leads to a recap of the intro before the ensemble builds to the final statement. A true tour de force that will showcase dynamics, style, technique, and musicianship.Trumpet to written Bb.
A dramatic and modern Thad Jones style take on an extended blues form makes for a challenging chart for everyone. Beginning with the opening glissando and punch, this chart announces itself in style....
This chart was commissioned by the King William Jazz Collective in San Antonio, TX. The assignment was to write a “happy shuffle” and you can’t help but tap your toe and smile as you listen to this chart. It opens with a Count Basie style piano solo before the ensemble sets up the trombone/tenor sax melody. Solo changes are provided for tenor and bari saxes along with trombone. An acapella ensemble section follows the soloists and sets up the roaring shout section when the rhythm section returns. Trumpet range is to written high C, trombone range is to G.
This chart was commissioned by the King William Jazz Collective in San Antonio, TX. The assignment was to write a “happy shuffle” and you can’t help but tap your toe and smile as you listen to...
Mama Ruth completes the family portrait (collect the entire set!) with a fun medium swing groove, and she definitely has an eye for fun and the attitude to go with it. Featured soloists are tenor sax and trumpet. Trumpet range is to written high B.
Mama Ruth completes the family portrait (collect the entire set!) with a fun medium swing groove, and she definitely has an eye for fun and the attitude to go with it. Featured soloists are tenor sax...
Opening with a definitive call to arms, the general is on the march. Lots of unison ensemble and section work builds confidence in your troops while easy chord changes make it easier on your beginning soloists and provide a base from which to launch your more experienced players. Trumpet range is to written high C.
Opening with a definitive call to arms, the general is on the march. Lots of unison ensemble and section work builds confidence in your troops while easy chord changes make it easier on your...
Beginning with a slinky piano riff, this chart builds to a full ensemble with lots of moving parts, all riding on top of a funky hip hop style groove. The piano is featured throughout the first portion of the chart with several four measure solos. There are additional solos for tenor sax, trumpet, and drums before returning to the opening piano riff, this time accompanied by a harmon trumpet solo on the way to the big ending. Trumpet range is to written high C.
Beginning with a slinky piano riff, this chart builds to a full ensemble with lots of moving parts, all riding on top of a funky hip hop style groove. The piano is featured throughout the first...
Movin' Easy swings hard, beginning with the piano stating the entire melody, and offering a chance to show off the rhythm section on its own before the ensemble kicks in. Tenor sax and trumpet solos are provided and are based on the chord changes of Duke Ellington's classic "Don't Get Around Much Anymore". A 16 bar acapella ensemble section shows off the horns before the rhythm rejoins at the bridge to close out the chart - almost. The piano and rhythm section take us the rest of the way, a la Count Basie, to a signature ending. Trumpet range is to written high C. Trombone range is to G. Bass and piano parts are written out.
Movin' Easy swings hard, beginning with the piano stating the entire melody, and offering a chance to show off the rhythm section on its own before the ensemble kicks in. Tenor sax and trumpet solos...
Mr. Moto harkens back to the swinging Big Band Era featuring a Basie-ish piano melody. The brass take over for the bridge and the saxes finish out the first chorus. Clever key changes enhance the flavor of each section. Solo changes are provided for trombone and tenor sax. As in the Old Days, the chart starts its shout chorus softly with a sax section riff that is answered and built upon in the brass. The ensemble builds for one final key change as the lead trumpet brings us home with a high note (written A and B above the staff) feature. Trumpet range is to written high C, trombone range is to F.
Mr. Moto harkens back to the swinging Big Band Era featuring a Basie-ish piano melody. The brass take over for the bridge and the saxes finish out the first chorus. Clever key changes enhance the...
Funky! Funky! Funky! This chart lights up every band that plays it. Mix some Tower of Power with some 70s Brecker Brothers and stand back. The written bass part nods to Rocco Prestia while the drums lean into Dave Garibaldi territory. Add Steve "Doc" Kupka's bari and you have a foundation for some serious fun. There is ample space for numerous soloists with an optional open section as well as within the form of the tune. An eight bar drum solo (also could be opened up) leads into a funky 16 bar breakdown/fugue section which opens the shout chorus and punctuated finale. Trumpet range is to written high C, trombone to G.
Funky! Funky! Funky! This chart lights up every band that plays it. Mix some Tower of Power with some 70s Brecker Brothers and stand back. The written bass part nods to Rocco Prestia while the drums...
Welcome to the shadowy underworld of bluesy saxes and unexpected plot twists. Similar to Harlem Nocturne, Nick Brandon covers the waterfront keeping a watchful eye on the bari (or tenor) and trumpet soloists and dodging the sax soli with the double time feel before solving the case and fading away into the mist. Trumpet range is to written high C.
Welcome to the shadowy underworld of bluesy saxes and unexpected plot twists. Similar to Harlem Nocturne, Nick Brandon covers the waterfront keeping a watchful eye on the bari (or tenor) and trumpet...
