Featuring a melody line that bounces from part to part within the the ensemble, this medium tempo Bebop “blues with a bridge” keeps the conductor on his toes Herding the Cats in the band. Lots of open solo space allows for numerous soloists and an a capella chorus features the horn section. A flag-waving shout chorus leads to a Basie piano ending. Trumpet range to written high C. Trombone range to G.
Featuring a melody line that bounces from part to part within the the ensemble, this medium tempo Bebop “blues with a bridge” keeps the conductor on his toes Herding the Cats in the band. Lots of...
Based on the chord changes for “They Can’t Take That Away From Me”, this chart is a straight ahead swinger that features every section in the ensemble. Written solos are provided for tenor sax and trumpet. The shout chorus features two solo breaks for the bass (written solos provided) before the full ensemble kicks in to finish out the chart. Trumpet range is to written G, trombone range is to F.
Based on the chord changes for “They Can’t Take That Away From Me”, this chart is a straight ahead swinger that features every section in the ensemble. Written solos are provided for tenor sax...
Named after the legendary Harlem nightclub where Bebop was born, this medium swing chart speaks the language of Bebop from the first measure to the last, but at the very accessible tempo of 168 bpm. Trumpets and altos state the melody echoing Bird and Diz. Solo space is provided for alto sax and trumpet. A challenging shout chorus follows leading to the grand finale. Trumpet range is to written High C. Trombone range is to G.
Named after the legendary Harlem nightclub where Bebop was born, this medium swing chart speaks the language of Bebop from the first measure to the last, but at the very accessible tempo of 168 bpm....
This smooth bossa nova combo chart is based on the chord changes for Blue Bossa, a famous jazz standard composed by Kenny Dorham. A new original melody is intertwined with a countermelody all the way through the first 16 bar chorus before giving way to a second chorus harmonized both as a duet and in four part block voicing – a very musical and full sounding chart.
This smooth bossa nova combo chart is based on the chord changes for Blue Bossa, a famous jazz standard composed by Kenny Dorham. A new original melody is intertwined with a countermelody all the way...
A rousing full ensemble intro, complete with drum solos, leads to a four bar bass solo (walking line written out) that sets up the Trumpet section (in cup mutes) bebop melody, based on “rhythm changes”. The drummer also has the option to switch to brushes in this section before switching back to sticks for the rest of the chart. An open solo space allows for numerous soloists with cued backgrounds. The shout chorus begins with an “stop time” section that builds through the bridge to a flag waving finale. Trumpet range to written High C. Trombone to F.
A rousing full ensemble intro, complete with drum solos, leads to a four bar bass solo (walking line written out) that sets up the Trumpet section (in cup mutes) bebop melody, based on “rhythm...
Viva Merengue! Si! Join the fiesta with this fun chart. Featured soloists include tenor sax, drums, and trombone, and more can join the party. Additional percussionists are encouraged, too. Simple chord changes make this a good chart for beginning improvisers Trumpet range is to written high C.
Viva Merengue! Si! Join the fiesta with this fun chart. Featured soloists include tenor sax, drums, and trombone, and more can join the party. Additional percussionists are encouraged, too. Simple...
This is a medium swing “blues with a bridge” chart that plays off the unusual nature of a knuckleball’s trajectory and flight characteristics. Lots of fun “wobbles” and misdirection bring this hard swinging chart home in the melody and orchestration. Solo space is provided for tenor sax and trumpet with plenty of backgrounds as well. A full bodied shout chorus follows the solos before returning to the bridge and closing tag. Trumpet range is to written High C above the staff.
This is a medium swing “blues with a bridge” chart that plays off the unusual nature of a knuckleball’s trajectory and flight characteristics. Lots of fun “wobbles” and misdirection bring...
A smooth bossa nova featuring the ensemble in a rich harmonic landscape and interesting countermelodies. Solos for trombone and piano or guitar. Trumpet range is to written F#.
A smooth bossa nova featuring the ensemble in a rich harmonic landscape and interesting countermelodies. Solos for trombone and piano or guitar. Trumpet range is to written F#.
A dramatic and modern Thad Jones style take on an extended blues form makes for a challenging chart for everyone. Beginning with the opening glissando and punch, this chart announces itself in style. Muted trumpets take the melody and then hand it off to the saxes. A harmon mute trumpet solo leads to a trombone section soli (including the bass player). An interlude sets up the piano solo which is followed by a tenor sax solo. A recap of the bridge and melody leads to a recap of the intro before the ensemble builds to the final statement. A true tour de force that will showcase dynamics, style, technique, and musicianship.Trumpet to written Bb.
A dramatic and modern Thad Jones style take on an extended blues form makes for a challenging chart for everyone. Beginning with the opening glissando and punch, this chart announces itself in style....
This chart was commissioned by the King William Jazz Collective in San Antonio, TX. The assignment was to write a “happy shuffle” and you can’t help but tap your toe and smile as you listen to this chart. It opens with a Count Basie style piano solo before the ensemble sets up the trombone/tenor sax melody. Solo changes are provided for tenor and bari saxes along with trombone. An acapella ensemble section follows the soloists and sets up the roaring shout section when the rhythm section returns. Trumpet range is to written high C, trombone range is to G.
This chart was commissioned by the King William Jazz Collective in San Antonio, TX. The assignment was to write a “happy shuffle” and you can’t help but tap your toe and smile as you listen to...
